‘Mixed Blood’ and Aesthetic Evolution in China’s Electroacoustic Music Today

Current trends in the works of Chinese composers and their electroacoustic music today embrace increased abstraction individual self-expression, while others celebrate importance clear communication a unified ‘Chinese model’. How is one to derive current state Western art form imported by China, context unparalleled sharing convergence ideas made possible internet extensive intercultural exchange today’s globalised world? And how important it identify measure level Chineseness artistic output that elements – whether born inside or outside China? This article seeks unpack some thinking shared institutional leaders, such as Yu Feng, president Central Conservatory Music; scholars music, Marc Battier, Ken Fields, Leigh Landy, Yang Yinuo Annie Yen-Ling Liu; several thought leaders most recent generations music.